GNU GENERAL PUBLIC LICENSE Version 2, June 1991 Copyright (C) 1989, 1991 Free Software Foundation, Inc. 51 Franklin St, Fifth Floor, Boston, MA 02110, USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software--to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Library General Public License instead.) You can apply it to your programs, too. When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs; and that you know you can do these things. To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it. For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights. We protect your rights with two steps: (1) copyright the software, and (2) offer you this license which gives you legal permission to copy, distribute and/or modify the software. Also, for each author's protection and ours, we want to make certain that everyone understands that there is no warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the original authors' reputations. Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that redistributors of a free program will individually obtain patent licenses, in effect making the program proprietary. To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all. The precise terms and conditions for copying, distribution and modification follow. GNU GENERAL PUBLIC LICENSE TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION 0. This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program" means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter, translation is included without limitation in the term "modification".) Each licensee is addressed as "you". Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is not restricted, and the output from the Program is covered only if its contents constitute a work based on the Program (independent of having been made by running the Program). Whether that is true depends on what the Program does. Cole Swindell | For The Country Record

Tag Archives: Cole Swindell

Mar
30

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Cole Swindell Hits #1 With ‘You Should Be Here’

©2016 Grand Ole Opry / Photo credit: Chris Hollo

©2016 Grand Ole Opry / Photo credit: Chris Hollo

Rising country superstar and reigning ACM New Artist of the Year Cole Swindell tops Billboard’s Country Chart once again with “You Should Be Here,” marking the fifth consecutive No. 1 single of his solo career and eighth overall as a songwriter.

The title track off his forthcoming album due out May 6th, the poignant song was released just 15 weeks ago and has also reached the top of Billboard’s Hot Country Songs Chart (which includes streaming, radio airplay and digital sales) for the third time. Co-written by Swindell and Ashley Gorley, “You Should Be Here” has sold over 402,000 copies and racked up more than 20 million streams. The award-winning artist learned about the milestone this past weekend at the Grand Ole Opry.

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Mar
29

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Billboard Chart Roundup – Week of April 9th, 2016

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This is likely our last ever chart roundup, so soak it in while you can! This week’s Country Airplay #1 is Cole Swindell’s ‘You Should Be Here’, a track which feels like it was only just released and certainly his fastest rising single to date. It also continues to reign on Hot Country Songs, while Thomas Rhett’s monster hit ‘Die A Happy Man’ holds onto Country Streaming Songs and Tim McGraw’s heartfelt ‘Humble and Kind’ is the new Country Digital Songs leader. There are several new records debuting on the Top Country Albums chart, but it’s Joey + Rory’s ‘Hymns’ collection that retains the #1 spot. Read on for more!

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Feb
1

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Cole Swindell To Release Sophomore Album ‘You Should Be Here’ May 6

YouShouldBeHere (1)

Rising star Cole Swindell is set to follow up his Gold-certified debut album on May 6th with You Should Be Here. The forthcoming album draws its name from its emotional lead single, which has quickly vaulted to the Top 15 on the Billboard Country Singles chart only three weeks after its official impact date and has become his fastest rising single yet.

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Jan
18

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Cole Swindell ‘You Should Be Here’ – Single Review

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We seem to have a shortage of truly sad, poignant songs in mainstream country today. The last few singles that were supposed to be real tear-jerkers that tore at the ole heartstrings, were in fact not that touching. Luke Bryan’s “Drink A Beer” had no emotional feeling in it at all, nor was the lyrical content that moving either. They tried their best to beef it up with promotion including using pictures of Bryan’s deceased siblings and the story of their tragic deaths to put the song into perspective and make it more personal, but alas, it didn’t really hit the mark, at least for me. The same goes for Miranda Lambert’s “Over You”. The single is a nice single, and I certainly think it ranks above a lot of what’s on radio today, but as far as being an emotional ballad that truly touches people, it falters a bit.

Unlike Bryan’s “Drink A Beer”, Miranda’s vocal delivery is very convincing, especially live. The problem with “Over You” lies in the weak lyrical content, the words/verses just don’t pack a punch. Again, promotion used a personal tragedy in the artist’s (or in this case, the songwriter’s) life to help fans connect to the song, but sadly it still falters.

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Dec
16

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Cole Swindell Releases Emotional New Single And Video ‘You Should Be Here’

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On the heels of becoming the only solo male artist in the history of Country Aircheck/Mediabase to top the chart with his first four, out of the box, No. 1 singles as a solo artist (including his latest No. 1 smash “Let Me See Ya Girl,” along with Platinum-certified mega hits “Hope You Get Lonely Tonight,” “Ain’t Worth The Whiskey” and “Chillin’ It”),Cole Swindell releases the first single, “You Should Be Here,” from his forthcoming album today. While the song officially goes for adds in January, the song strongly resonates for people during this holiday season.

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Nov
17

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Cole Swindell Scores Fourth #1 Single From Debut Album

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ACM New Artist of the Year Cole Swindell notches his fourth consecutive No. 1 single with “Let Me See Ya Girl” from his Gold certified self-titled debut album. He becomes the only solo male artist in the history of Country Aircheck/Mediabase to top the chart with his first four singles. “Let Me See Ya Girl” follows his first three consecutive Platinum-certified No. 1 singles as a solo artist: “Hope You Get Lonely Tonight,” “Ain’t Worth The Whiskey” and “Chillin’ It.”

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Nov
1

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Cole Swindell’s Self-Titled Debut Album Certified Gold

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Rising country star Cole Swindell has officially been certified Gold from the RIAA for his self-titled debut album from Warner Bros. / Warner Music Nashville. Boasting over 3.5 million tracks sold and more than 159 million streams, the album features his first three consecutive No. 1 singles. His single track “Hope You Get Lonely Tonight” has just been certified Platinum by the RIAA, following in the footsteps of previously certified mega-hits “Ain’t Worth the Whiskey” and “Chillin’ It.”

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Oct
20

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Cole Swindell To Release Second ‘Down Home Sessions’ EP November 6th

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Rising country star Cole Swindell is set to release his second Down Home Sessions EP on November 6th, a week before the kick off of his fall headlining tour. The five-song project will be available for pre-order exclusively at iTunes beginning October 28th.

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